Sunday, August 16, 2009
Taken from the narrative poem "Dauber" by John Masefield:
He was the painter in that swift ship's crew,
Lampman and painter-tall, a slight-built man,
Young for his years, and not yet twenty-two;
Sickly, and not yet brown with the sea's tan.
Bullied and damned at since the voyage began,
"Being neither man nor seaman by his tally,"
He bunked with the idlers just abaft the galley.
His work began at five; he worked all day,
Keeping no watch and having all night in.
His work was what the mate might care to say;
He mixed red lead in many a bouilli tin;
His dungarees were smeared with paraffin.
"Go drown himself" his round-house mates advised him,
And all hands called him "Dauber" and despised him.
Si, the apprentice, stood beside the spar,
Stripped to the waist, a basin at his side,
Slushing his hands to get away the tar,
And then he washed himself and rinsed and dried;
Towelling his face, hair-towzelled, eager eyed,
He crossed the spar to Dauber, and there stood
Watching the gold of heaven turn to blood.
They stood there by the rail while the swift ship
Tore on out of the tropics, straining her sheets,
Whitening her trackway to a milky strip,
Dim with green bubbles and twisted water meets,
Her clacking tackle tugged at pins and cleats,
Her great sails bellied stiff, her great masts leaned:
They watched how the seas struck and burst and greened.
Si talked with Dauber, standing by the side.
"Why did you come to sea, painter?" he said.
"I want to be a painter," he replied,
"And know the sea and ships from A to Z,
And paint great ships at sea before I'm dead;
Ships under skysails running down the
Trade Ships and the sea; there's nothing finer made.
"But there's so much to learn, with sails and ropes,
And how the sails look, full or being furled,
And how the lights change in the troughs and slopes,
And the sea's colours up and down the world,
And how a storm looks when the sprays are hurled
High as the yard (they say) I want to see;
There's none ashore can teach such things to me.
"And then the men and rigging, and the way
Ships move, running or beating, and the poise
At the roll's end, the checking in the sway--
I want to paint them perfect, short of the noise;
And then the life, the half-decks full of boys,
The fo'c's'les with the men there, dripping wet:
I know the subjects that I want to get.
"It's not been done, the sea, not yet been done,
From the inside, by one who really knows;
I'd give up all if I could be the one,
But art comes dear the way the money goes.
So I have come to sea, and I suppose
Three years will teach me all I want to learn
And make enough to keep me till I earn."
Even as he spoke his busy pencil moved,
Drawing the leap of water off the side
Where the great clipper trampled iron-hooved,
Making the blue hills of the sea divide,
Shearing a glittering scatter in her stride,
And leaping on full tilt with all sails drawing,
Proud as a war-horse, snuffing battle, pawing.